Friday, June 12, 2026

A Spiritual Journey to Wat Pa Tueng – Kruba La Tathip (The Divine Eyes) & Lanna Heritage - Chiang Mai - Thailand.

I had the opportunity to visit Wat Pa Tueng in Chiang Mai at around 6:00 PM, just as the peaceful atmosphere of the evening settled over the temple grounds. It was a truly fortunate and meaningful experience, as I was able to pay my respects to the venerable Kruba La Tathip, one of the most respected masters in the Lanna Buddhist tradition.
The moment I entered the temple, I felt a sense of calm and spiritual energy that is difficult to describe in words. Surrounded by the quiet beauty of the temple and the devotion of the local community, I experienced a deep feeling of peace and gratitude. Paying respect to Kruba La at this sacred place felt like receiving a blessing from a lineage of great Dhamma masters who have preserved the teachings of Buddhism for generations.
Wat Pa Teung is not only a historical temple but also a place where spiritual practice and faith remain alive. My visit left me with a profound appreciation for the Dhamma and the importance of cultivating mindfulness, humility, and compassion in daily life. It was an unforgettable experience, and I feel truly blessed to have visited this spiritual sanctuary and paid homage to Kruba La Tathip.

Kruba La Tathip, also known as Phrakru Chanta Samankhun, was widely respected among local devotees for his strict moral conduct, humility, and spiritual discipline. Many followers believe he possessed special insight or “divine vision,” and because of this, he became known as “Kruba La Ta Thip”, meaning “Kruba La with the Divine Eyes”. Apart from other renowned Lanna masters of Chiang Mai, such as Kruba Srivichai of Wat Doi Suthep and Luang Pu Waen Sujinno of Wat Doi Mae Pang, the name Kruba La Tathip of Wat Pa Tueng is also counted among the respected teachers who dedicated their lives to doing good and preserving the Dhamma. 

He was born during the reign of King Rama V, in a period when Chiang Mai was transitioning under the rule of the 7th ruler of Chiang Mai, Chao Intawichayanont (1883–1896), and the 8th ruler, Chao Intawaroros Suriyawongse (1899–1909). He was born on Thursday, September 22, 1898, in Ban Pong, On Tai Subdistrict, San Kamphaeng District, Chiang Mai Province. At the age of 8, his mother entrusted him to Kruba Pinta, the abbot of Wat Pa Tueng, where he began his early education as a temple boy, studying traditional Lanna texts. At the age of 11, he was ordained as a novice and practiced strict ascetic discipline, including forest-based training and cemetery meditation practices (known in the local tradition as Khao Sosan Kaema), which are intended to develop mindfulness and detach from worldly desires. At 18, he moved to Chiang Mai city to study Dhamma at Wat Chedi Luang (Wat Chetupon). However, after only one year of study, he returned to Wat Pa Tueng to care for his aging teacher, Kruba Pinta. In 1914, Kruba Pinta passed away at the age of 74, and Kruba La, then 27 years old, succeeded him as abbot of Wat Pa Tueng. He was later appointed as the monk dean of On Tai Subdistrict in 1933.In 1961, he was officially conferred the ecclesiastical title Phrakru Chanta Samankhun at the age of 63. Kruba La passed away on February 16, 1993, at the age of 97, leaving behind a legacy of devotion, discipline, and spiritual teaching that continues to be deeply respected in Northern Thailand.

Inside the sermon hall of Wat Pa Tueng, visitors are immediately greeted by a profound sense of peace and reverence. One of the most striking features is the life-sized standing wax statue of Kruba La Tathip, which captures his gentle presence and calm demeanor. The statue stands gracefully within the hall, allowing devotees to feel as though they are standing before the revered master himself. Many visitors pause quietly to pay their respects, offer flowers, incense, and prayers, and reflect upon his teachings. Behind is the glass coffin with the incorrupt body of Kruba La Tathip, enshrined and covered with layers of gold leaf applied by on the body. The golden appearance radiates devotion, faith, and gratitude from generations of disciples who continue to honor him. The shrine is often surrounded by offerings, candles, and fresh flowers, creating an atmosphere of deep spiritual significance.

The wiharn (prayer hall) at Wat Pa Tueng reflects the calm and traditional character of a Lanna forest temple. Built in a classic northern Thai style, the wiharn features a brick structure with a gently sloping roof, detailed carvings, and warm earthy tones that blend naturally with the surrounding environment. The craftsmanship is simple yet elegant, showing the influence of traditional Lanna architecture rather than modern decorative excess.

Inside Wat Pa Tueng, one of the most distinctive structures is its thin, tall chedi that stands quietly within the temple grounds. Unlike the broader, bell-shaped stupas commonly seen in many Chiang Mai temples, this chedi has a slender and vertical form, giving it a light and elegant appearance. Its narrow structure draws the eye upward, creating a strong sense of height and spiritual aspiration, as if pointing toward enlightenment.

The golden bronze statue of Kruba La Tathip at Wat Pa Tueng is one of the most important sacred objects in the temple and serves as a focal point of devotion for visitors. Located within the sacred area of Wat Pa Tueng, the golden bronze image is not just an artistic representation, but a spiritual symbol of Kruba La Tathip’s legacy—his discipline, compassion, and teaching that continue to inspire devotees across Northern Thailand.
As I walked around Wat Pa Tueng in the quiet evening, I was captivated by the beautiful wooden sermon hall buildings that surrounded the temple grounds. This wooden sermon hall is where the incorrupt body of Kruba La Tathip enshrined. The traditional Lanna-style craftsmanship, with its intricate carvings and aged timber, blended harmoniously with the peaceful atmosphere. The gentle evening light cast a warm glow upon the wooden structures, creating a serene and spiritual environment. Standing among these historic buildings, I felt a deep sense of calm, as if time had slowed down, allowing me to fully appreciate the sacred beauty of this remarkable temple.

The incorrupt body of the revered Dhamma master, Kruba La Tathip (Phrakru Chanta Samankhun), is enshrined in the sermon hall of Wat Pa Tueng, where devotees and visitors come to pay their respects. His body is remarkably well-preserved and has become an object of deep faith among believers. Kruba La was a highly respected Buddhist monk and meditation teacher in Northern Thailand, known for his spiritual practice, compassion, and dedication to the Dhamma. Standing before his shrine, covered in gold leaf offered by devotees, one can feel the profound reverence and gratitude that continue to surround this beloved Lanna master.
A close view reveals the standing wax statue of Kruba La Tathip beside his incorrupt body enshrined within the hall. The statue is crafted with lifelike detail, portraying his calm and compassionate presence, while the incorrupt body is carefully covered in layers of gold leaf by temple. Together, they create a deeply reverent and solemn atmosphere, where visitors pause in silence to pay respects and reflect on his enduring spiritual legacy.

It is commonly said in local temple history and community memory that His Majesty King Bhumibol Adulyadej (King Rama IX) visited Wat Pa Tueng during his travels in northern Thailand. Inside the temple, there are photographs and royal portraits displayed to commemorate these visits. These images are usually placed in respectful areas within the hall or near the main sacred spaces, reminding visitors of the royal connection and the importance of the temple to the local community.

During my visit, I was welcomed with kindness and a simple conversation about the temple’s history and the legacy of Kruba La Tathip. The assistant abbot spoke in a humble and friendly manner, making the atmosphere feel very open and peaceful. There was no sense of formality or distance—only sincere hospitality and a focus on Dhamma. After the greeting, I had the opportunity to take a photo with him as a small memory of the visit. The moment felt meaningful, not because of formality, but because of the sincerity and warmth of the encounter. It added a personal connection to the temple experience, making the visit feel even more memorable and complete.

At Wat Pa Tueng, the temple gate and surrounding area give visitors a calm first impression of a traditional Lanna Buddhist monastery. The entrance gate is modest yet meaningful, marking the transition from the outside world into a peaceful spiritual space. Once inside, the atmosphere quickly becomes quiet and shaded, with tall trees and open pathways leading deeper into the temple grounds. Around the compound, several important buildings are arranged in a harmonious layout. The wiharn (prayer hall) stands as the main sacred structure, reflecting traditional northern Thai architecture and serving as the center for chanting and ceremonies. Nearby, there is also a museum building, where containing ancient artifacts from San Kamphaeng district and from Wat Chiang Saen. Scattered across the grounds are the monks’ kuti (living quarters), simple wooden or concrete dwellings that reflect a life of humility and discipline. There is also a Dhamma study building, used for teaching scriptures and training monks in Buddhist studies. This space supports both traditional learning and monastic discipline, continuing the educational role of the temple.

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Tuesday, June 9, 2026

Visiting Wat Thung Hiang and Paying Respects to Revered Monk Luang Pu Boon - Chonburi - Thailand.

On this visit to Wat Thung Hiang in Chonburi, my intention was simple—to pay respects to the highly revered Luang Pu Boon, a monk known for his lifelong dedication to Buddhism, charity, and helping underprivileged children.
When I arrived at the temple around 11:00 am, Luang Pu Boon was already in his advanced years and resting on his sick bed. Despite his frail condition, being able to see him in person and offer my respects was a deeply meaningful experience. The atmosphere was calm and solemn, and I felt grateful for the opportunity to be in the presence of a monk who had devoted more than seven decades of his life to the Buddhist path.
At that moment, I did not realize how significant the visit would become. Later that same day, at approximately 6:30 pm, I received the news that Luang Pu Boon had peacefully passed away.
The news came as a surprise and filled me with a mixture of sadness, gratitude, and reflection. Looking back, I now understand that my visit that morning was not merely a temple visit, but a final opportunity to pay my respects to a revered master before his departure from this world.
This article is a record of that memorable day at Wat Thung Hiang, my visit to Luang Pu Boon, and the impressions left by a monk whose compassion and service touched countless lives.

One of the notable features at Wat Thung Hiang is the beautiful Phra Leela Buddha statue located in the front area of the temple grounds. The statue depicts the Buddha in the graceful walking posture, known in Thai as "Phra Leela," symbolizing compassion, peace, and the Buddha's journey to spread the Dhamma.

Inside Wat Thung Hiang, I also noticed a statue of Luang Pu Thep Lok Udon, a revered figure in Thai Buddhist tradition. Unlike many well-known monks whose lives are recorded in history, Luang Pu Thep Lok Udon is regarded as a legendary enlightened saint whose story has been passed down through generations.
According to Buddhist folklore, he is believed to be a highly attained arahant who continues to appear to worthy practitioners and meditation masters. Many devotees view him as a symbol of wisdom, compassion, and unwavering dedication to the Dhamma.
The statue at Wat Thung Hiang serves as a reminder of the deep spiritual traditions preserved within Thai Buddhism. Standing before the image, visitors are invited to reflect on the virtues of mindfulness, perseverance, and the pursuit of enlightenment.
During my visit, I found the presence of Luang Pu Thep Lok Udon's statue particularly meaningful, adding another layer of spiritual significance to the peaceful atmosphere of the temple.

The new dome pavilion, completed in BE2565. Beneath the spacious dome stands a collection of Buddha images in various postures, creating a peaceful environment for devotees to pay homage, meditate, and make merit. Behind the dome pavilion is the Bell Tower.
During my visit, I also noticed a hall where children under the care of the temple were engaged in various activities. From a distance, I could see them learning and interacting in a cheerful environment. Out of respect for their privacy and daily routine, I chose to observe quietly from afar and did not disturb them. The scene served as a meaningful reminder of Luang Pu Boon's longstanding commitment to supporting underprivileged children through the temple's charitable work.
Another area that drew my attention during the visit was the new big White Buddha of Wat Thung Hiang.
The crematorium and multipurpose event hall at Wat Thung Hiang reflect the temple's role as both a spiritual center and a place of community service, supporting religious ceremonies, charitable activities, and local gatherings.
The main wiharn at the center of Wat Thung Hiang serves as the temple's spiritual heart, housing sacred Buddha images and providing a peaceful space for worship, reflection, and merit-making.
Wat Thung Hiang is a comprehensive temple complex comprising prayer halls, monks' residences, children's welfare facilities, event halls, meditation areas, and a crematorium. Each building serves a unique role in supporting the temple's religious, charitable, educational, and community activities.
The prayer hall at Wat Thung Hiang, with the statue of Luang Pu Boon at its entrance, stands as a place of devotion and remembrance, reflecting the compassionate legacy of the Bunthawi Ruamyatmit Foundation and its support for underprivileged children and community welfare. The hall also reflects the spirit of the Bunthawi Ruamyatmit Foundation, established through Luang Pu Boon's charitable vision. The foundation has long supported underprivileged children, educational assistance programs, and various community welfare initiatives. Through these efforts, Wat Thung Hiang has become known not only as a place of worship but also as a center of compassion and social service.
The small shrine for Phra SIvali, Phra Sangkachai and Gumanthong.
Luang Pu Boon (PhraKru Sophonpattanapirom) is one of the more respected contemporary monks in eastern Thailand, known as much for his charitable work as for his amulets and spiritual lineage. Born on 12 February BE2474 in Chonburi Province. Ordained as a monk at age 20 and has spent more than seven decades in the monkhood. He became abbot of Wat Thung Hiang and developed a reputation for strict practice, humility, and social welfare work. The master is known for his compassion, charitable deeds, and quiet spiritual practice. In his early years, he studied under several legendary Thai monks and learned the secret arts of making the Phra Somdej at the renowned Wat Rakhang, where he was also taught authentic medicinal powders and talismans. In BE2529, he traveled to the mountainous regions of northern Thailand for spiritual practice and witnessed firsthand the poverty and lack of education for children in the high-altitude tribes. From then on, he vowed to dedicate his life to adopting and educating orphaned children in the mountains, and to date, more than two thousand children have completed their education. Luang Por Boon Saphano of Wat Thung Hiang inherited and studied numerous wicha traditions under distinguished masters, including Luang Por Suang, Luang Por Promma, Phor Than Klai, Luang Por Nak, and Luang Por Hin. He further received transmissions from the lineages of Wat Kruawan (Luang Por Kaew), Wat Sattahip (Luang Por Yi), and Luang Por Ophasi, among many others. Luang Pu Boon Sophano of Wat Thung Hiang peacefully passed away at the age of 95 on May 31, BE2569, which coincided with Visakha Bucha Day.

At the time of my visit, His Eminence Phra Mongkol Moli (Luang Pu Boon Sophano), the revered abbot of Wat Thung Hiang, was 95 years old and undergoing treatment for age-related health complications. After receiving medical care at the hospital, he had returned to Wat Thung Hiang to continue his recovery and rest under the care of his attendants and disciples. Despite his frail condition, devotees continued to visit the temple to pay their respects and express their gratitude for his decades of dedication to Buddhism, charitable work, and the welfare of underprivileged children.
During my visit to Wat Thung Hiang 11am morning, Luang Pu Boon Sophano was resting due to illness. Although his health had become fragile with age, I was grateful for the opportunity to pay my respects to him in person. Looking back, the visit became even more meaningful when I later learned that Luang Pu Boon peacefully passed away at approximately 6:30 pm on the same day.  I feel deeply saddened by the news. Although I knew his condition was serious, it is still difficult to accept. May he rest in peace, and may his teachings and kindness continue to inspire us.

As Luang Pu Boon's health had declined with age, Wat Thung Hiang appointed monks to assist with the temple's daily operations and the reception of devotees. During my visit, Phra RiewThong~Phra Surachai Thirapanyo were among the monks entrusted with these responsibilities. Their duties included welcoming visitors, coordinating merit-making activities, and receiving offerings from devotees who came to pay respects and support the temple's religious and charitable work. Their dedication ensured that the temple continued to function smoothly while providing guidance and assistance to the many devotees visiting Wat Thung Hiang.

Within the prayer hall, the altar is adorned with statues of the Buddha, a lifelike wax statue of Luang Pu Thep Lok Udon, and revered images of Luang Pu Thuad, Phra Phutthachan Toh, Luang Pu Mun, and Kruba Siwichai.
In addition to the main prayer hall, there are two other halls, each featuring its own altar filled with numerous Buddha images, revered monks and sacred statues.
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