Inside the ubosot, the principal Buddha image (Phra Prathan) sits in a serene posture, serving as the spiritual focal point of the temple and quietly embodying the temple’s spiritual significance.
Inside the Ubosot, visitors can admire detailed mural paintings and richly decorated pillars.
Posing for a photo with the serene principal Buddha (Phra Prathan) image inside the Ubosot of Red Temple.
Exterior of the Ubosot with fierce guardian figures standing watch at the entrance.
Rear view of the Ubosot featuring two Tao Wessuwan statues standing guard at the back, symbolizing protection of the sacred space. Side exterior of the Ubosot, featuring intricate design details and structural craftsmanship
The temple gate with its elegant three-tiered roof, reflecting classic northern Thai architecture, marking the entry to Wat Chiang Yuen.
Shrine 'Sala Adit' for former abbot of Wat Chiang Yuen. Photo taken with the statues of Kruba Khamla Sangwaro Maha Thera. This memorial Shrine 'Sala Adit' is located within the temple grounds. The Vipassana master of Kruba Khamla Sangwaro Maha Thera, a local development monk, is a virtuous and exemplary monk of Lanna, who dedicated himself and rendered great services to Buddhism as a revered monk.The prayer hall decorated with colorful hanging paper lanterns, creating a serene atmosphere and reflecting traditional Thai temple decor.
Pay homage to revered Phra Chao Sapaokham Buddha statue at Wat Chiang Yuen. This golden Buddha statue is crafted with a mixture of gold and features a base shaped like a traditional Sapaokham boat, which inspired its name. Located within the learning park of Wat Chiang Yuen, the temple offers visitors a chance to explore its rich history and cultural significance. It is a popular site for locals to pay respects and seek blessings for good fortune, following the traditions of the Lanna people.
A photo taken while paying homage to the revered Phra Chao Sapaokham Buddha statue at Wat Chiang Yuen. Phra Chao Sapaokham is framed by intricate red and gold carvings under a grand wooden roof.Beautiful ancient GongGob. This magnificent bronze drum is known as frog drum or rain drum. It is now believed by most independent scholars to have originated in northern Vietnam, Dong Son Culture, in the fifth century BC. The original drums were used in ritual ceremonies.
Inside the Red Wiharn stands a statue of Kruba Srivichai, honoring his connection to the temple’s history. Wat Chiang Yuen was initially constructed in 1867 by Kruba Chanta and later officially permitted for construction in 1879.
In 1927, after returning from the restoration of Phra Mahathat Doi Tung, Kruba Srivichai stayed at the temple and ordained a young boy named Khamla Suphayot. This novice later played an important role in the temple’s development, encouraging local villagers to build a stupa and further establish permanent structures.
Among the temple’s notable features is the Ubosot, which reflects modern Lanna art. It is distinguished by its red exterior and houses the principal Buddha image (Phra Prathan) in the Maravijaya posture. The Wiharn, also designed in red Lanna style, enshrines the revered Phra Chao Sapaokham Buddha image. This bronze statue features a base shaped like a Chinese junk boat and is believed to have Yunnan-style influence, having been donated to the temple during World War II.
A view of the Kuti Sangha building, featuring another Phra Chao Sapaokham Buddha statue for devotees to pay respects and receive blessings.Tung Tree at Wat Chiang Yuen, a traditional decoration featuring holy flags or banners used for respect and praying in Lanna or Northern Thai culture. The Tung Tree flags are colorful, vertical banners, often featuring intricate patterns.
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